History in the making
In recognition of Britain’s excellence in design and manufacturing each maker will work with a reclaimed tubular band stand chair as produced throughout the mid 20th Century by Cox and Co. Reduced to the skeletal frame, makers will be asked to re-interpret the piece employing their specialist knowledge and approach to making. Each practitioner retains full creative license over their piece with no pre-requisite for it to remain a functional item but rather a response to their own interpretation delivered through artisan skills.
‘For me chairs are really nice vehicles for
A chair is a good piece from which
(Boontje. T, 2015).
It is envisioned that practitioners with no prior experience working with furniture will still feel a kinship towards, arguably, the most addressed functional item in history. The unique approach and interpretation of each practitioner imperatively affirming the value of creative thinking and artisan skills to future aspiring makers. Selected for their expertise and knowledge of making the challenge for makers will be applying their practice and choice of materials to a common object that, although familiar, will require an alternative considered approach.
The chair is an obvious choice which has been infinitely addressed since the dawn of mankind coming in all shapes and guises. Produced by Cox & Co since the 1930’s the simple and elegant lines of the iconic tubular bandstand chair provides a perfect form to experiment with. Cox & Co are a testament to the successful collaboration between engineering, industrial manufacture and creative practice in Britain. In addition to the unmistakable bandstand chair, Cox’s portfolio includes manufacturing components for the De Havilland Mosquito during WWII and public seating in association with Robin Day for the Festival of Britain in 1951. The successful development of tubular frames for transport components and bicycles led to the acquisition of the company by Raleigh Industries in 1967.